Performing Arts
Environment
Historic Interest
Special Projects
Discretionary

 

 LARGER PHOTOS

The Offbeat Grant title is given to an existing grant that the Board of Directors elects and names annually based solely on the unique (and sometimes amusing) quality of the project.


2006: To California Shakespeare Theatre, Berkeley, California to support Hamlet: Blood in the Brain project.
During the time of the suspension of the Foundation's grant program, the Directors decided to select a recent discretionary grant which indicates the breadth of interest and creativity in the Foundation grant making. At the November, 2005, Board meeting, the Directors selected as their offbeat grant of the year for 2006 a project of the California Shakespeare Theatre which has been supported by the Foundation in 2004 and 2005. The Theatre has created an initiative entitled New Works/New Communities whose goal is to bring disparate communities together to participate directly in the creation of new works of theatre inspired by classic literature. For its first major commission, the Theatre has undertaken placing Hamlet in the modern day Oakland, California, community. The project is ongoing; the premiere of the result will be in October, 2006. Please read the July 2005 Project Update prepared by California Shakespeare Theatre to see the full scope of the project and the Foundation's grant.
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2005: To Institute of Nautical Archeology College Station, Texas to support Persian War Shipwrecks Archaeological Project.
This project surveys the seas off the Mt. Athos Peninsula, Greece, in search of remains for a Persian armada which sank there in about 492 B.C. during Darius the Great's first attempt to invade Greece. According to Herodotus (VI:44), nearly 300 ships were lost and over 20,000 men perished in a storm. Research is conducted by the Institute jointly with the Hellenic Center for Marine Research and the Canadian Archeological Institute of Athens and uses submersibles and remote-operated vehicles. Selected target areas were searched in two successful field seasons in 2003, and 2004, locating numerous artifacts including some with potential dating to the 492 B.C. storm.
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2004: To Chanticleer of San Francisco, California for support of a commissioned work that explores the life of the twelfth century abbess Hildegarde von Bingen.
Chanticleer as part of their program for developing new works has commissioned a theatrical presentation of the life of the twelfth century abbess Hildegard von Bingen (visionary, composer, poet, dramatist, herbalist, moralist and physician). The playwright is Donna DiNovelli. The presentation will be directed by Francesca Zambello. Two composers have so far been selected: Pulitzer Prize winning composer Steven Stucky and rising French composer Regis Campo. The music will be chosen from von Bingen's own works and other music based on her texts including three pieces especially composed for this work. The twelve members of the Chanticleer chorus will represent twelve cardinals in Rome who meet to determine whether Hildegarde von Bingen would be admitted to sainthood. The results will be a very portable vehicle for Chanticleer that will be offered to such festivals as Edinburgh, Spoletto, and the BBC Proms.
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2003: To the University of Iowa, Iowa City, for support of the production of The Devil's Rope, a documentary video on the history and development of barbed wire.
The Devil's Rope is a documentary video that focuses on a small band of avid collectors of barbed wire to tell the colorful, and brutal, story of this American invention.  The collectors are men in their 70s and 80s from the Middle West and Western U.S. who gather together at small conventions across the Plains States to buy, sell, trade and dicker about barbed wire.  Using their stories as a theme, the documentary explores the beauty and ingenuity and horror of this most American of inventions, beginning with its humble forerunner, the "Wooden Strip with Metallic Points," first shown at an 1873 county fair in Illinois to its adoption by Amnesty International as a symbol of political repression.
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2002: To the University of Hawaii at Monoa, Honolulu, for field work for archeological research of wrecks of Civil War whaling ships destroyed by the C.S.S. Shenandoah in April  1865, in Pohnpei, Federated States of Micronesia.
Under the auspices of the American Battlefield Protection Program, National Park Service, U.S. Department of Interior, maritime archeologists are investigating Pohnahtik Harbor on Pohnpei.  Pohnahtik is the harbor where four whaling vessels were captured and sunk by the C.S.S. Shenandoah, a Confederate raider sent to the Pacific to destroy the merchant whaling fleet sailing from American ports. 

The Confederate government hoped that the loss of these valuable vessels would encourage the ship owners to petition the U.S. Government for a settlement with the Confederate States before they were forced to surrender.  From the sailing charts captured during the attack at Pohnpei, the Shenandoah was able to locate and virtually destroy the whaling fleet during the months of April through August, 1865.  Ironically, all of the destruction occurred after Lee's surrender at Appomattox. 

While the action did not have an effect on the outcome of the Civil War, the whaling industry, already suffering a decline due to a decrease in the number of whales and an increase in the use of petroleum as an alternate fuel source, never recovered from the destruction of the 1865 whaling fleet.
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2001: To the Salisbury and South Wiltshire Museum, England for purchase of the Warminster Jewel
Discovered in a field near Wiltshire, England, the Warminster Jewel is an aestel (manuscript pointer) made of rock crystal and gold with an inset of lapis lazuli. The Skaggs Foundation was able to assist in its purchase after it was discovered that the museum did not qualify for the usual sources of funding for acquiring British antiquities. The Jewel dates from the ninth century.
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2000: To the Textile Conservation Centre in Winchester, England for conservation of "deliberately concealed garments".
In the construction of medieval buildings, workers would conceal garments and shoes to ward off evil spirits and bring good luck to the inhabitants. When surprised modern workers discovered these untouched objects bricked into the walls of houses during the renovation of homes, they were brought to the attention of the University of Southampton's Textile Conservation Centre. A three-year grant totaling $30,000 from the Skaggs Foundation has been used to assist the collection, conservation and description of the fascinating artifacts of this curious practice from an age now long gone.


1999: To the Cobbe Foundation for restoration of Gustav Mahler's Graf piano
In a world where music collections are silent, the Cobbe Foundation offers a veritable gallery of sound. It collects and restores to playing, historic keyboard instruments such as those played by the likes of Bach, Chopin and Elgar. Austrian conductor and composer, Gustav Mahler (1860-1911), possessed a unique piano that has come into the Cobbe collection. The Skaggs Foundation contributed to the restoration of Mahler's Graf piano, one of only three surviving quadruple-string Grafs (Beethoven's being one of the other two).


1999: To the world-famous male vocal chorus, Chanticleer in order to purchase matching tuxedos
How could this group be expected to perform in mis-matched suits? The Skaggs Foundation helped with a modest grant to take care of this critical need.

The singers used to supply their own white tie and tails concert dress. Some outfits were new, some inherited, some tailored, some altered. The result was a mish-mash. The Skaggs grant provided for a complete set of new concert dress for each singer from Brooks Brothers!

More recently, Chanticleer has been given a grant  to assist in the commissioning of a work to celebrate the 25th anniversary season of Chanticleer.  Sir John Tavener, one of the preeminent living composers for choral works, will prepare a work Lamintations and Praises which draws upon Sir John's Greek Orthodox background in presenting a liturgical drama which depicts the Orthodox conception of Good Friday. The Libretto for Lamentations and Praises will be written by Orthodox Abbess Mother Thekla. The work will have its world premiere in 2002. 
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